We Get It

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Photo by Sarah Walker

Elbow Room’s We Get It, a timely and engaging finish to the 2015 MTC NEON festival, is a show that takes on the rampant sexism in the entertainment industry and rips it to bits.

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Death and the Maiden

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Written in the wake of the Pinochet regime in Chile, Ariel Dorfman’s captivating, psychological thriller Death and the Maiden was performed by the Melbourne Theatre Company in 1993 and, 22 years later, is making its return to the MTC stage in a new production starring Susie Porter, Eugene Gilfedder and Steve Mouzakis and directed by Leticia Càceres (who recently directed MTC’s Birdland). Beat had the opportunity to speak to Mouzakis, who has had an impressive career over the years including theatre (MTC’s The Cherry Orchard for which he won the Green Room award for Best Actor), film (Spike Jonze’s Where the Wild Things Are) and television (Christos Tsiolkas’ The Slap).

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The Lonely Wolf (or an incomplete guide for the unadvanced soul)

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Dirty Pretty Theatre’s new offering The Lonely Wolf (or an incomplete guide for the unadvanced soul), written and directed by Gary Abrahams for the 2015 MTC NEON program, is a piece that could have had promise but ultimately doesn’t quite seem to know what it wants to say to the audience.

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The Lonely Wolf (or an incomplete guide for the unadvanced soul)

The Lonely Wolf_Poster2 Lanscape

Melbourne Theatre Company’s NEON season, now in its third year, has once again provided Melbourne audiences with the work of some of the best independent artists this town has to offer. One artist involved in this season is the award-winning director Gary Abrahams of Dirty Pretty Theatre. Inspired by the Herman Hesse’s novel Steppenwolf and the writings of American philosopher and psychoanalyst James Hillman, Abrahams has created The Lonely Wolf (or an incomplete guide for the unadvanced soul), which promises to be an irreverent dance-theatre production that chews up Hesse’s surrealist story and spits out an anarchic work about madness and love.

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Birdland

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Photo by Gina Milicia

In a world where Kim Kardashian and Kanye West are worshipped and a world where we are obsessed with celebrity breakdowns, Melbourne Theatre Company’s upcoming production of Birdland could not be more well-timed. Written by award-winning British playwright Simon Stephens as an examination of fame, fortune and decadent disregard in a celebrity obsessed world, this Australian premiere introduces us to Paul, a damaged rock star idol whose fame and fortune is at an all time high. Taking on this demanding role is Mark Leonard Winter in what is his MTC debut. When speaking with Winter, he expresses a great passion for this character, no matter how unlikeable he may appear to others.

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