Juliette Burton on how to survive the Fringe Festival circuit


Every year, artists make their way across the world to present their shows to new audiences. From Melbourne to Adelaide, and New Zealand to Edinburgh, these artists dedicate their time, passion and energy into putting on shows that many often haven’t heard about. For solo artists, this is particularly hard, as they are often running every aspect of the show themselves, including performing, marketing, flyering and so much more.

Maggie Journal had the chance to chat with three Adelaide Fringe artists about their experiences as a solo performer and their tips for surviving the Fringe circuit. First up is Juliette Burton.

Continue reading

The shows that made their mark…


Photo by Jeff Busby

Some people are talking about books, I’m going to talk about the plays that changed me, affected me & wowed me. But not in chronological order because my memory is not that good…

Saving Henry by Angus Cerini at La Mama – this show blew my mind. Raw, intense & powerful. While I have seen further, more professional productions of this, nothing compares to seeing it in the small space of La Mama.

Thyestes by Hayloft Project at Malthouse/Carriageworks – Words cannot express how much I love this show. I flew to Sydney just so I could see it again!

Rubeville by Black Lung at Lupa Arts – I have Black Lung to thank for my introduction to other companies like Hayloft. I saw this show 3 times. It was dirty, messy & the epitome of Fringe.

Mercury Fur by Little Death at Theatre Works – powerful. So powerful.

The Economist by MKA at Abbotsford/North Melbourne – Tobias Alexander Edward Manderson-Galvin wrote an amazing play. I saw it twice. I would like to see it again.

Slut by Patricia Cornelius at 45 Downstairs – I’m cheating with this a bit as I was in this production. But who cares as Patricia Cornelius created a powerfully devastating show that really made me think.

They Saw a Thylacine by Sarah Hamilton & Justine Campbell at North Melbourne Town Hall – this is one of the first shows I ever reviewed. I gave it 5 stars. And I can’t wait to see it on the Malthouse stage next year!

When I Grow Up by Juliette Burton at Trades Hall – funny, heartbreaking & real. Her honesty put a smile on my face.

The Sovereign Wife by Sisters Grimm at Southbank Theatre – this show was epic. That is all.

East is East & West is Footscray at La Mama. This was the first show that I saw that wasn’t MTC, Malthouse or Bell Shakespeare. While hesitant at first, this show kicked of my love for both La Mama & independent theatre. And it’s what encouraged me to pursue my love of theatre.

Over & out!